You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad.
You can also set your reel numbers to increment automatically each time you format a card. Software. URSA Mini Pro 12K pushes into RED territory At $9,995 USD the URSA Mini Pro 12K is pushing into RED territory. Suffice to say there’s oversampling, high frame rates (60 fps in 12K wow), interchangeable lens mounts, USB-C ports and the lovely BRAW compression technology that will help tame some of those massive file sizes. It’s like a multi camera shoot with only one camera.
If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away.
Constant Quality footage with extremely high or low frequency detail can fall outside of the average ranges quoted above. https://t.co/TbaD3E5ZW5 pic.twitter.com/0jozde85Gz, — Stark Insider (@StarkInsider) July 17, 2020.
URSA Mini Pro 12K also includes a SuperSpeed USB-C 3.1 Gen 2 expansion port for recording to incredibly fast NVMe SSDs.
My money though, at least for narrative style projects, is still on the Blackmagic Pocket Cinema Camera 4K, Panasonic GH5 and entry level RED DSMC2 cameras (Raven, Scarlet-W). Sensing all the wavelengths since 1980. Some thoughts on the new Blackmagic URSA Mini Pro 12K cinema camera….
The possibilities are endless! High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.
The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro between the camera and the battery. Perhaps I’m being selfish.
Likely this is the style wanted for high end fashion or commercial spec work. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. I get that. Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Camera bodies do not. USB-C). The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. Safe to say the technology and implementation are well beyond me and the scope of what I typically write about here on Stark Insider. Blackmagic makes excellent products so there’s no surprise that the engineering inside this new URSA Mini is impressive. Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. VLock compatible battery plate for attaching third party batteries to URSA cameras. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K. I wonder though if this is overblown marketing, and who rightfully needs such high resolution? With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K.
The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 120 fps! I’ve just become accustomed to working with those file sizes in the last year or so and find them, finally, almost normal, after so many years of working with good old 1080p files from Canon DSLRs.
But for the mainstream cinema buyer I’m having a tough time understanding who this camera is intended for and why they’d pay $10,000 for it. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Regardless, thank goodness for feisty and forward-thinking companies like Blackmagic Design (and humble and amiable CEO Grant Petty). Add a shock and vibration isolated professional microphone mount to your URSA Mini or URSA Mini Pro camera! Blackmagic surprised yesterday with the announcement of a new Super 35 12K capable cinema camera (that’s 12,288 x 6480). As much as I like the Blackmagic image and the new BRAW, in my estimation nothing beats Redcode. Blackmagic claims it’s the “world’s most advanced 12K digital film camera!” … and it didn’t even come from America! Lenses last a lifetime. The built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set!
Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more!
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. We probably never could’ve predicted things like HDR many years ago, yet almost all TVs today come with that feature. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras. URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! Standard rosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini Shoulder Kit. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera. And so far as I know BMD is the only one in recent years who have released a new compression standard (Blackmagic RAW) that works well across all major edit systems. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. The company's headquarters are in Irvine, California, with studios in Hollywood, California.It has offices in London, Shanghai and Singapore, retail stores in Hollywood, New York City and Miami as well as various authorized resellers and service centers around the world. Early adopters and those who absolutely need every ounce of detail will likely find the URSA Mini Pro 12K to be a compelling option for their work. Is this hype or is the market need real? Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery. Blackmagic URSA Mini Pro 12K. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! Now Blackmagic Design reveals a 12K sensor in a cinema camera body.
Plus: aren't we a spoiled lot. Featuring a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production. Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Then again, none of those shoot 12K. Engadget is part of Verizon Media. Frame Grabbers. Optional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcast lenses. The camera in question is the brand new, uber Blackmagic URSA Mini Pro 12K. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. With a massive 80 megapixels per frame at 60fps in RAW, you can capture perfect stills and motion shots in a single camera! So I’m mostly interested in achieving the “filmic” look, and often even dirty up images that come out of my Panasonic GH5 and RED Dragon.
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying! Featuring a revolutionary 12,288 x 6,480 Super 35mm sensor with PL mount as standard, the URSA Mini Pro 12K has extra resolution for high end production.
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. Same for various connections and how they evolve (e.g. Industry-leading image acquisition boards. There’s even a built in tally light! I’d suggest things like dynamic range and file handling and codecs matter more than resolution. Privacy Policy. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. The screen can also show you a "heads up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology.
URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics. This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. Hand cranking that thing was a blast for shooting 3 Days in Sonoma, when we embraced our inner Jean-Luc Godard for the heck of it.
Only Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality!
First, Canon announced the 8K EOS R5 mirrorless camera. Actual rates are dependent on the image being captured. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. The evenly weighted camera body is made from lightweight, robust magnesium alloy. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.
As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!
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