A heads up before others do. Feedback: Feedback determines how much of the output is fed back to the input. This is known as destructive interference. The LFO’s rate and the “amount” that it modulates the delay time can be set on the right side of the plug-in, with various waveshapes available for the LFO. In a mixing context, these are the most important plug-ins you’ll be dealing with. As with any other type of wave, audio waves have points of maximum positive amplitude and maximum negative amplitude. This will shift all notches either up or down in frequency.
For example, if the number of stages is set to 8, it will have 4 notches. This effect supports Real-time preview - effect settings can be changed while playing and listening to the result in real-time.
In the Modulation section, we can see the LFO parameters. When set at zero (the default) the filters begin sweeping from high frequency down to low frequency.
The Manage button accesses choices to add, delete, import or export presets for this effect and to set options for this effect. The first thing that should be pointed out is what a phaser effect is. Personally, I like to use Phasing with a low LFO gain and rate. Made up of a series of notches in a frequency spectrum, you can think of it as a progressive equalizer that automates frequency cuts by using an internal LFO (or low-frequency oscillator). Resonances will be created at some frequencies, but more noticeably, a series of notches (notch filters) will also be created across the frequency spectrum. The notches on the comb filter will appear to “move,” resulting in a searing resonance that sweeps to the rate of the LFO. When crests overlap with crests (or troughs overlap with troughs), constructive interference occurs. an inverted signal is fed back into the effect, creating another variant of the effect. Stages: This will change the number of stages the effect will have. Chorus units will create notches in lower frequencies due to their longer delay times. The name "Phaser" comes from "Phase Shifter", because it works by combining phase-shifted signals with the original signal.The movement of the phase-shifted signals is controlled using a Low Frequency Oscillator (LFO).. This is a good tool for sound design but can be slightly intimidating at first. For details see Manage presets. If you would rather watch the video than reading, you can watch the video here, which includes examples of what each parameter does to a sound. Because the effect's sound results from phase interaction, the effect sounds strongest when the Dry/Wet mix is set at the default halfway position (128). If there are 32 stages, it will likely have 16 notches. Flangers are similar to chorus effects, both in their design and sonic properties.
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